Comparing Dada to Pop Art

In this essay I will compare the Dada and pour down Art movements by delineation the characteristics of from each one maneuver finis, their style and social conditions that may have influenced the creation of each movement. The essay will describe the relationship between the Dada and set off Art movements. The essay will show their similarities, differences, and the reason why pop Art did not continue with the Dada tradition although Pop Art likewise utilized effortless quarrys as subjects to create stratagem just like the Dada. Lastly, the essay will show how Pop Art is still very often part of todays art world.Dada or Daism was an informal international art movement, with artists and followers in Europe and North America. The beginnings of this movement coincided with the outbreak of demesne War I. This artistic and literary movement started in 1916 and ended around 1923. Dada was born out of negative reaction to the World War I and as a trend to protest against the conventional middle-class which the artists believed were the cause of the war. Dada excluded reason and logic, valuing nonsense, irrationality, irony and humor. The movement primarily involved visual arts, literature, poetry, manifestoes, art theory, theatre and graphic design. Art in the traditional sense was all about aesthetics, Dada represent the opposite. Dadas intention was to offend and semiconsciousness common sense. (Pop art/dada, 2013)Dada artists developed the collage, photomontage, assemblage and readymade techniques. The collage, which imitated the techniques used during cubism through the pasting of cut pieces of paper items to include items such as transportation tickets, maps, pliable wrappers in order to represent features of breeding instead of still life. Photomontage this technique used scissors and glue rather than key fruitbrushes and paints to express views of modern life from images represented by the media.The assemblage technique is a three-dimensio nal variations of a collage which again used everyday objects to produce meaningful or meaningless (relating to the war) pieces of work. Lastly, the readymades these were everyday objects found orpurchased and declared art by an artist. These objects would or sotimes have titles and/or the artists signature to provoke deeper thinking on the viewer. During this period there was no predominant medium to Dadaist art. (Dada, 2013)Pop Art (short for Popular Art) emerged in England in the early 1950s and late 1950s in the linked States lasting through the early 1970s. Pop Art origins developed for different reasons in Great Britain and the United States. In the United States, it was a response to impersonal, mundane reality, irony and parody. In Britain, the origin of post-World War II as well included irony and parody but its main focus was on the images of American favorite culture.Pop art was also a form of rebellion against abstract expressionism whose audience was a greedy middl e class, according to the artists. Pop Art understood hot culture or so called material culture which was focused on the post-World War II generation who rebelled against the mysterious undertone of the abstract art. Pop artists cute to express their hopefulness after so much poverty had been experienced during the World War II. (Pop art-, 2013)Pop Art was rooted in urban environment capital of the United Kingdom and New York. Pop Art used pieces of familiar images like advertising, labels, comic books, ordinary cultural objects, film, and television, to express conceptual formal relationships. In addition, the artist also duplicated common mass production images such as beer bottles, soup cans, comic strips, road sign images, collages and sculptures either by incorporating these objects into their paintings, collages and sculptures. Artists usually used very buttony colors, and flat images. Pop art is symbolic and realistic. Lastly, Pop Arts subjects are non-traditional which involves the viewer on the subject unlike the traditional still life motif which engaged the viewer on the formal qualities of the painting ignoring the subject. (Pop art-, 2013)Dada and Pop Art developed in part to oppose the status quo, stand up in opposition to the established elect art of their respective times. Pop Art and the Dadaist thought that the traditional artist was a prop of the elite and the powerful hence, both movements created art that was anti aesthetic. Pop Art and papa both used everyday objects to create art that was symbolic, realistic, and descriptive. Both movements used what was considered non-traditional motifs. Dadaism and Pop Art used their movement as a means of criticism for their respective times in which they lived. Lastly, Dada and Pop Art movements to some degree were influenced by a war. (Pop art- 2013)Pop Art was somewhat an extension of Dadaism. Pop Art also delved into some of the same subjects as Dadaism however, Pop Art substituted the h arsh, sarcastic, and radical impulses of the Dada movement with an appreciation to usual culture. Pop Art artists wanted to express their optimism to a culture born during post-War World II who sought to acquire consumer goods in response to mass media advertising. Pop Art did not critique the consumerists it simply recognized it as a natural position of the times. (Pop art/dada, 2013)Marcel Duchamps, Fountain, 1917 is considered a readymade artwork from the Dada movement. The sculpture has become one of the most recognized modernist works from the Dada movement. With the Fountain, Duchamp took an everyday object of life, and changed its useful significance by calling it something else. By giving it a new title and point of view, Duchamp created a new thought for the urinal. Duchamps perceptivity that art can be about ideas instead of things, a notion that would ring true with later generations of artists. (Pop art/dada, 2013) Andy Warhols, Campbells Soup Cans, 1962, consisting o f 32 canvases each being a painting of a can of soup flavor being offered at the time.There is no clear explanation as to why Warholchose to paint the soup cans, his usual reply to interviews as to why he painted the cans he had soup every day. One of the traits of Pop Art is creating art from popular recognizable object that most everyone could relate to. Just like the Fountain, the concept was more important than the image. The fact that he chose to create art by painting the cans correlates to Duchamps Fountain by which both artists style was more anti-art utilizing common objects as subject matter, evoking interest from the viewer on the concept rather than the object. (Campbells soup cans, 2013)Pop Art is a direct descendant of Dadaism because it mocks the art world by using everyday motifs as subjects to create art. The Dadaist originated an irrational way of images to provoke reaction from the public on their work. Pop artists adopted the same visual method but concentrated their interest on popular culture. The Pop Art movement replaced the negative, satirical and radical elements of the Dada movement. The Dadaist concentrated on anti-war politics, rejecting the prevailing standards in art by creating anti-art cultural works. (Pop art, 2013)The morn of the Pop Art movement in the 50s not only impressed the wealthy, it changed the culture. So iconic and profound were the motivations behind this movement that its art is still featured, studied and produced today. It is clear that Pop Art was much more than just a fad, it is still very popular and it is continued to be called a success. It is hard to not identify traits of Pop Art as some of its peculiarities like the dotted image, strong and multiple colors, series of images on one print, noted people faces, and everyday objects continue to be used today. Pop Art can be found in print design on birthday cards, T-shirts, calendars, canvases, poster, and contemporary graphic design. (The influence of, 2010)